The Godfather (1972)
The Godfather (1972)
“I’m going to make him an offer he can’t
refuse.”
-Don Corleone
When I first saw The Godfather many
years ago, I initially called the film “a long, boring piece of crap.” Needless
to say, but there was something immensely wrong with my teenage brain. Luckily
as I have matured, so have my tastes in cinema. This film is heralded as an
American classic, and now I can wholeheartedly agree with that sentiment. As
famed critic Roger Ebert pointed out, this movie is the one where most people
can agree on its quality. Hardly a single person dislikes this movie and that
is a very good thing.
Ultimately, The Godfather is
still a very long movie but I have come to appreciate it more with each viewing.
The film is obviously about the mafia, but this is a different kind of mafia
film. Prior mafia films and even those after this one deals with perspectives
from an outsider and their perceptions of violence and death with the mafia.
However, this film is told within the confinements of a mafia family. The story
is told within the inside and that was a unique story angle at that time. I
like how the film doesn’t show corruption from the mafia family, the Corleones.
There are no civilian casualties from organized crime and the only corrupt
person in the film is in the form of a police officer. Don Corleone doesn’t
believe in dealing with drugs, because of how they affect people. The themes of
the Corleone family and the movie itself is family and loyalty. As Michael
Corleone points out in the movie, “never take sides against the family.” That
is when crazy things begin to happen.
The beginning of the movie is very crucial. It
is basically a large wedding scene with scenes intercut of Don Corleone in his
darkened office taking care of family business. This beginning is important for
several reasons. We get the tone of the film and we understand who the Corleone
family is. This is also where all the characters are introduced and explained.
By the time the scene is over, we get the big picture of the film and we get a
sense where the film is heading. The scene is a bit long, but I felt director
Francis Ford Coppola did an excellent job on introducing all of his main
characters in the film.
What exactly is The Godfather about?
Well, it is a film about family and it takes advantage of the classic structure
of handing power between generations. The patriarch of the family is Don Vito
Corleone (Marlon Brando) who is the head of one of the most powerful mafia
families. His children, who play a huge factor in the family, are Sonny (James
Caan), Michael (Al Pacino), Connie (Talia Shire), and Fredo (John Cazale). Also
playing a huge role is the family lawyer, Tom Hagen (Robert Duvall). The aging
Vito decides to transfer power to one of his subalterns, and that causes a
ripple between the five Mafia families in New York. The main child here is
Michael, who didn’t want anything to do with his family and instead join
the military. But after Vito is shot, Mike decides to join the family business
and take control.
The acting is absolutely fantastic. Marlon
Brando delivered one of the best performances of his career as the aging head
of the family. He is known for using his devices in the beginning such as his
puffy cheeks and the cat on his lap. The way he delivered his dialogue in such
a soft-spoken voice is also very memorable. Al Pacino does a very good job,
taking wise advice from his father while delivering on his own counsel. This is
the beginning for Pacino’s illustrious career. Robert Duvall does a fantastic
job as Hagen. Duvall has had a legendary career, but the one role I think of
every time I reflect on his career is his role as Tom Hagen. James Caan does a
great job as the quick-tempered Sonny, who unfortunately meets his demise in
the film but in a scene that is one of the best scenes in the movie.
The one thing that does irk me about the film
is the use of women. It seems like women has no part of the family. Mike’s
sister, Connie (played solidly by Talia Shire) is only used for a target of her
husband’s Carlo anger. He treats her like a piece of filth. Although, Mike does
have a special place in his heart for Connie. Mike also has a romantic interest
in the film named Kay Adams (played by the eccentric Diane Keaton). I didn’t
think Kay was a strong character in the film. Also, Vito has a wife but she is
just an insignificant shadow only meant for the family pictures. Finally, there
is a Sicilian woman we meet. After Michael goes on exile in Sicily for shooting
a cop who played a role in the shooting of his father, he falls in love with
this girl…..but she ends up getting blown up. My only qualm abut the film is
how little importance women play in it.
Although the film is a long film about the
mafia business, it is also a very violent film. Two of the most memorable
scenes not only in this film, but in the history of cinema is known for its
violence. The first scene is that infamous scene where a film mogul discovers a
severed horse head in his bed after he refuses to cast a friend of the family,
Johnny Fontaine in a role for one of his films. The other scene is that baptism
massacre scene towards the end. Michael is in the church watching the baptism
of his son, but he issued orders for enemies of the family to be murdered while
at the baptism….and this way he can be proven innocent. These scenes are violent,
but they are incredibly well-done.
Let’s now talk about how the movie looks. The
movie makes good use of a darkened palette and lots of shadows thanks to the
expert work done by cinematographer Gordon Willis. He expertly crafts Vito’s
office with darkness and shadows against the sunny feeling of the wedding. In
fact, most of the film is shadowed in darkness and it works very well for the
type of film it is.
Also playing a huge role in the film is the
music. Coppola traveled to Italy to find a composer who can bring an Italian
feeling to the film. His find, Nino Rota did just that. The main title is
heavily influenced by Italian culture and it gave an authentic feeling to the
film-as the main characters are an Italian family. It’s a shame that the Academy
snubbed his music, because I felt it should have won an Oscar. It’s one of my
favorite all-time scores.
Nominated for 11 Oscars and winning 3 of them
including Best Picture, The Godfather is one
of America’s most influential films. It is certainly the godfather of mafia
films, no pun intended. The movie remains popular to this day and if you
haven’t seen the film, you should see it. It’s almost three hours long, but
this is a portrait of a mafia family that is all about family. Francis Ford
Coppola did an amazing job directing this film from the very popular novel
written by Mario Puzo. The movie is not perfect, but it’s almost perfect
though. The Godfather is an instant American classic.
My Grade: A-
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