Ferris Bueller's Day Off (1986)
“Life
moves pretty fast. If you don’t stop and look around once in awhile, you could
miss it.” Ah, wise words from our new young friend, Ferris Bueller. In John
Hughes’s 1986 film, Ferris Bueller’s Day Off, all Ferris wants to do is
take a day and have fun. That is the most simplistic theme the movie has. You
can go deeper, but the main takeaway is that it is okay to have fun. That is a
motto I have taken to heart. I really loved the film. People consider The
Breakfast Club to be Hughes’s best and most important movie. That’s a fine
statement to make, but I would personally rank the film number two behind this
particular one. The teen characters are instantly relatable, it has a memorable
antagonist for the children, and this is basically a thirty-year-old travel
guide for Chicago. Just how Woody Allen creates his movies as love letters for
New York, this is applicable for John Hughes. A Chicago love letter!
Like
all of his films, Hughes wrote his own script. Due to possible picketing from
the writer’s guild, Hughes wrote a basic first draft that had a beginning and
an ending. The middle would be made up as production ensued. The first cut of
the film was nearly three hours long, so the rest of the screenplay would be
completed in the editing room if that made sense. Hughes, always the adolescent
philosopher, wrote a very familiar screenplay. Teens that are relatable and
one-dimensional adults who do not believe in the word “fun.” Somehow, these adult
antagonists seem to make the history books as the roles to remember. Just as I remember
Paul Gleason’s principal role in The Breakfast Club, I certainly remember
Jeffrey Jones’s dim-witted Ed Rooney here. Hughes takes time to develop his characters
which should come as no surprise.
I
guess if you were going to commit truancy, you would want to follow in the
footsteps of our main hero, Ferris Bueller (Matthew Broderick). All he wanted to
do was take a day off from school. He enlists his best friend Cameron (Alan
Ruck) to steal his father’s red Ferrari. The duo, along with Ferris’s
girlfriend Sloane (Mia Sara), head into Chicago for a day to check out the sites;
the architectural landmarks, the art museum, the fancy restaurant, Wrigley Field,
and an American-German parade where “Danke Schoen” and “Twist and Shout” might
be key songs to remember. Meanwhile, Principal Ed Rooney (Jeffrey Jones) is
hellbent in capturing Ferris. He might have an ally in Ferris’s moody but really
pretty sister Jeanie Bueller (Jennifer Grey).
Hughes
always wanted Matthew Broderick as Ferris. Broderick possesses a charm that is
not seen in many modern actors. After watching the film, you could obviously
see why Broderick and only him was cast in the lead role. Broderick had a close
friendship with Alan Ruck which led to great chemistry between the actors.
Despite being 29, Ruck did make a believable high school student. He was
excellent and captured the true feelings of a high school student not wanting
to go to school. Mia Sara is beautiful, but she wasn’t given much to do. Molly
Ringwald wanted to play this role, but Hughes cautioned her for good reason
apparently. Yes, Ed Rooney is a one-dimensional, child-hating character but my
gosh is Jeffrey Jones ever memorable. I love the scene where the dogs sic him
and is forced to ride a bus. Hehe. Jennifer Grey is fantastic! Finally, a
shoutout goes to Ben Stein and his monotonous lecture on economics.
Ferris
Bueller’s Day Off is
a wholesome, incredibly fun film. There is nothing mean-spirited to see. It is
all about teens wanting to have a good time. If I were to be truant, this is how
I would want my day to go. The other theme is Ferris wanting to lift the spirits
of his best friend from his materialistic father. A more subtle theme, but I
appreciate it. This is one of those movies that is wholesome, but also
incredibly funny. I laughed too many times to count and that is a rarity. Great
performances and great fun add up to John Hughes’s best film. Yes, I rank it
higher than The Breakfast Club.
My
Grade: A
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