Ikiru (1956)
Ikiru (1956)
Akira Kurosawa’s Ikiru is an emotional, moving
portrait of what it is like to live life. This film really makes you ponder
about your life. It asks simple, but important questions such, “What are you
doing with your life?” Honestly, this film made me contemplate my own life and
made some important changes. You only live once, so let’s live the best life you
can. Based on reviews I have seen from all different ages, this film truly
resonated with everyone. Even though Kurosawa constantly mentions death or
cancer, this movie never truly felt depressing. I felt happy for the main
character because he was finding the will to live despite the diagnosis of
terminal cancer. The film is a robust two-and-a-half hours, but you never feel
the time passing by thanks to Kurosawa’s steady direction, strong visuals and
camerawork, and a humane story that invests your mind. Also, Takashi Shimura’s
performance spoke to me on many levels.
Believe it or not, this is the first time I was able
to sit through a Kurosawa film. I immediately grasped the idea why he is one of
the best directors of all time. He takes these moving images and uses them to
create humane stories about life. Everyone knows about The Seven Samurai,
which came out several years later, but everyone says this is his most intimate
film. I can certainly imagine why. This film was released in Japan in 1952. The
United States barely got a chance to see the film in 1956, and it finally was
released internationally in 1960. The excuse was that “it’s too Japan.” I was
very surprised by that statement because these themes are universal, and they
still resonate to me.
The literal translation of Ikiru is “to live”. Our
main character, after his cancer diagnosis, tries to find a reason through
alcohol and women, but still does not get moved. It comes down to his job and
doing the right thing for people which finally gives him that spark. Kurosawa
made some bold statements about modern Japanese bureaucracy as seen in the
opening scenes. Huge piles of paperwork, the dictation of a rubber stamp,
sending people to pointless stations to “solve” mundane issues. Kanji Watanabe
(the main character) is not living life. He is going through the notion’s day
after day. As the film itself says, he is already half-dead.
Kanji Watanable (Takashi Shimura) is a Tokyo bureaucrat
who has been in his position for over thirty years. He does nothing but work,
sleep, and eat, hardly the definition of living. In a harsh scene, he is
diagnosed with gastric cancer and is given a death sentence. He does not tell
his family about his situation, but rather spends the night in town with a
novelist. When that does not satisfy him, he strikes up a friendship with a
young woman from his office. Ultimately, it is through his job that allows him
to make a difference-building a public park. After his death and during the
funeral, his peers and family try to solve the mystery of his death.
Takashi Shimura gave a heartfelt performance that will
always stick with me. I never knew about any of his roles, but that will
change. He apparently worked with Kurosawa eleven times. When he sings “Gondola
no Uta”, I am moved to tears. He sang once at a bar which silenced the entire
crowd and once later on in a very pivotal scene. His final scenes really struck
me. He did everything well; reacting to his diagnosis, fighting his son over
money, etc. Each scene is of importance and Shimura gave it all he got.
Overall, Ikiru is a movie that any cinephile
should seek out. It is a movie that makes you think about your own life. One
day, you’ll grow old and look back on your life and ask yourself, “Did I live a
good, meaningful life?” This movie proved how graceful Kurosawa is as a
director. He really knows how to create a story about life and not turn it into
some soapy melodrama. Whether it’s 1956 or 2021, these themes resonate with any
society in my humble opinion. While this may not be a flashy movie like The
Seven Samurai, this is still worth seeing especially if you are ready to have
some feels.
My Grade: A
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